Dancing on Two Pentacles
I’ve been thinking about balance. Or maybe what passes for balance when your life is full of contradiction, chaos, and too many things demanding pieces of you at once.
Right now I’m working on the Two of Pentacles — the card of juggling, of instability, of keeping multiple plates spinning while the floor feels like it might fall out from under you at any moment. The irony isn’t lost on me. My life looks messy on paper, and in real life, it feels even worse. Work. Art. Relationships. Bills. Emotional labor. The little invisible weights that no one applauds you for carrying. And somehow, you have to smile while keeping the rhythm, pretending you’ve got it together.
Painting it is almost meditative. I let the brush stumble over the canvas like I stumble through my own life — messy loops, high saturated pigments, strokes that refuse to be neat. The two coins float and twist in a storm I can control only by letting go. The swirl of watercolors bleeding into each other, the way oils smear when the paint is thick, it’s all a reflection of the precariousness I carry.
Instability isn’t always chaos. Sometimes it’s rhythm. Sometimes it’s a dance you didn’t choreograph but are learning to move with anyway. My cat curls next to me, unimpressed, flicking a tail as if to remind me: “This is not the end of the world.” The tiny constant companionship anchors the juggling act.
I think of balance differently now. It’s not holding everything perfectly. It’s choosing which weights are yours to lift and which to let crash. It’s laughter in the middle of panic. It’s rage and softness coexisting. It’s painting a card about juggling while your own life feels like a two-ring circus.
This Two of Pentacles isn’t about perfection. It’s about presence. Awareness. The terrifying exhilaration of keeping everything in motion without losing yourself.
Sometimes the coins drop. Sometimes the floor cracks. And that’s okay. Because the act of getting up, brushing off paint, adjusting your rhythm, and starting again — that is the point. That is the magic. That is the ritual of living fully, even when your hands are full and the world feels like it’s tipping.
Balance isn’t static. It’s a heartbeat. It’s a wobble. It’s the storm and the calm at once. And as I paint this card, I realize: the dance itself is sacred.